LAST SHOW by Melanie Browne

Issue 9

 

Such a waste
So sad
Being held down
By some intense pressure
Jaws grinding hard and eyes pinned
Going through the motions
Strangely inconsistent
The pain that caused the noose
Why great people fall to Earth
Enter into glory
Clearly something is wrong
Holy shit
Rest in peace
Too soon for me to watch
Maybe next week

 

Source : YouTube comments under a Soundgarden concert video

Method: Some of the grieving fans comments were beautiful. I gathered them into a poem.

Melanie Browne is a poet and fiction writer living in Texas.

Note from the Editor: We’d like to dedicate today’s post to Chris Cornell, his family and friends, and all his fans.

The Scent of Unity By Rebecca Parker

Issue 9

It’s not alien abduction,
a mediation of chemical processes:

it hurts, it feels awesome,
cerebral preferences,
each to their own.

Oxytocin, chemicals and pheromones
give you a queasy feeling
That’s love!!!
Screw love!

Every moleculewears off
the beats of your heart;

I would have traded my life
for 30 years of the scent of unity,

a heightened sense
after infatuation,
a transformation
deeply deep.

You still get nervous to this day,
you covet stability,
shopping for groceries,
buy a dog
they usually last 12 years.

Surrender.
Zero score.

A hot metal rod slowly ripping your skin off,
it can cool down,
leave you cold,
it will never be the same,
a waste of time and energy
Honestly.

If they had no limbs on their body you would still stick with them for ever.
You think about them sometimes, and you hope they are happy.

The object of such an enthusiasm
it’s an evolutionary gift,
a hoax created by poets,
a taste,
just a WORD,
life’s one sole purpose –

that’s my opinion on love.

Source: Words borrowed from the first page of Yahoo Answers threads asking, What is love?

Method: My method for constructing the poem was to simply scour these threads and pick out fragments from the answers. I put them together wondering if, by distilling these crowd-sourced definitions from the most earnest people on the internet, I would accidentally get an accurate answer to the question. I corrected some misspellings, except where the misspellings formed existing words (as in ‘scent’).

Rebecca Parker is a writer and proofreader from north-west England, living in Scotland. She has recently joined the small team of an independent publisher of poetry pamphlets, and her own poetry, fiction, and creative non-fiction have appeared in a number of online and print publications.

How to Live in America By Erica Goss

Issue 9

be calm
despite
sick feeling

terrifying thoughts
are fairly typical
not uncommon

educating yourself
has shown a reduction
in misconceptions

thoughts and actions
are not under control
friction in the family

you can help
speak if possible
disturb

any option
expect it
added stressors

set up a system
do something
set limits

this won’t be tolerated
despite
complex factors

Source Text: “15 Ways To Support a Loved One with Serious Mental Illness” by Margarita Tartakovsky, M.S.

Method: As I read the document, an alternate text seemed to rise out of it, one that echoed the way people are feeling in the current political climate.

Erica Goss served as Poet Laureate of Los Gatos, CA from 2013-2016. She is the author of Night Court, winner of the 2016 Lyrebird Award (forthcoming in 2017), Wild Place (Finishing Line Press 2012) and Vibrant Words: Ideas and Inspirations for Poets (PushPen Press 2014). Erica is a poet-teacher for California Poets in the Schools. Her poems, reviews and articles appear widely.

Father Marries His Four Daughters Off Like Fine Wine By Suzanne Biro

Issue 9

“Wine is bottled poetry … ” ~ Robert Louis Stevenson

Verra

Substantial broad
Built to last
Meters in the hip
No surprise when one considers it was great-aunt Irma
who wrote the international bestseller, The Joy of Cooking
At once massive and elegant
Exceptional voluptuous proportionality
with the heft to mature with grace
A nice dash of spice adds intrigue
but immediately blows off
Healthy up front
Hold on and grip
a handful of warm
traditional rustic style
There is plenty to look forward to
over the coming decade

Temperance

Is bright-looking, modern, finely sculpted
Beautiful now but needs another two or three years to soften
Still a bit youthfully clenched
Underpinning suggests this will reward some patience
Rather monolithic
young and tightly wound
A taut skin frame, a flicker of pale transparency
Nervous
Powerfully nutty
with a little more brisk acidity and briny character
than is typically the case
Will need time, will be a hit
A big time winner
Worth following through
A solid indication it is going to be
out and out exciting

Carmen-ere

Mollydooker, but no worries,
there’s nothing sinister going on
Drop-dead gorgeous, a knockout
Dark, lush mouth
Fitting for pleasure seekers
Leather and tobacco lace together
A good choice for variety, for something really special
All the exotic you could want
And game
there’s no need to wait
A brief 3 hours of skin contact prior to pressing
after that not much else is done other than a racking off
kick-ass full throttle frothy fun
invigoratingly long penetration
velvety and sexy  and just
very, very good

Rose

My favourite of the line-up
Our greatest love
You’ll be smitten too
Bubbles with the romance
Refreshingly unadorned and comes across as pure and elegant
Fine-boned, smooth and stylish
Not a hair out of place
Filled with pretty highlights of wild edge
you know, to make the heart grow fonder
Fresh with a bit sauvage, not of musk but of a wild tropical flower
like summer honeysuckle
But also remains just grounded enough
Easy to love
despite the desire over and over
Will provide pleasure
Longevity and pleasure are assured

 

Source: Vintages Catalogue No. 573, October 17th, 2015; Catalogue No. 580, February 6, 2016; Catalogue No. 581 February 20th, 2016.(http://www.vintages.com/index.shtml)

Method: The method I used for crafting this poem (or series of four related poems) was straightforward.  I am a wine lover and I regularly read the Vintages magazine delivered to my doorstep twice monthly.  I noticed that the descriptions of wines were decidedly sexy and female-oriented; I wondered if the bias toward women might be up-played through poetry using humour and characterization.  The result is this submission.  It was fun creating it.

Suzanne Biro’s writing was shortlisted in the 2015 SLS Montreal Flash Fiction Contest and the 2016 Little Bird Contest. She blogs, parents, and works as a professional health researcher.

Eleven Questions By Christopher Iacono

Issue 9

Know that you are in my heart, but what even is this shirt?
Soak in the sweetness.

Are eReaders really green?
So much winter white it feels like a fake hospital.

Big game?
German expressionist epic.

How will he spin it?
Language must be played with.

Feeling social?
The revolution will not give your mouth sex appeal.

Can you solve the puzzles?
The wind is a fickle mistress.

How do you pick your “favorite” books?
Draw from a deep well.

Isn’t this the best sign?
“Eyes on stalks” and “ice shifts at the poles” are my fave lines.

Love Vegas?
Some things make your eyes sparkle.

Broken dragon?
At Lincoln’s waffle shop.

Don’t you remember how we embraced his virile sensuality?
She says she doesn’t want to fuckin’ talk to you.

 

Source: Various tweets posted January 19-20, 2017.

Method: To craft this poem, I took questions from tweets and then answered them using text from other tweets.

Christopher Iacono lives with his wife and son in Massachusetts. You can learn more about him at cuckoobirds.org.

Almost Love Poem By Marjorie Thomsen

Issue 8

The more realistic
flavors of love:
bitter and sweet.
It seems
to be asking
for a little
alteration,
for the addition
of this
or the removal
of that. I try to stay
attentive
to this. I love
the long, twisted
red leaves
of some varieties.
A woman
came up to me
and said:
“I’ve got a tree
full of quinces
in my garden
but I don’t do anything
with them. I am scared
of quince.”
keep the skin
a good grind
just gamble
serve at once
serve at once
serve at once


Source:
YotamOttolenghi, “Plenty: Vibrant Vegetable Recipes from London’s Ottolenghi”, 2011.

Method: I had never written a found poem and wanted to try something different. I took what I had sitting closest to me in the kitchen where I write and went from there—a cookbook, a recently purchased coffee-table book that I had been reading, a new plant with its directions on how to care for it, and a love letter on my computer from a friend. Voila.

Marjorie Thomsen’s poetry collection, “Pretty Things Please” (Turning Point, 2016), gets its title from asking Pretty Things Beer and Ale Project to name all that she cannot since they come up with great names for their beers. A Pushcart Prize nominee, Thomsen’s poems have received awards from the New England Poetry Club and The University of Iowa School of Social Work. She lives in Cambridge, Massachusetts.

A Golden Age By Howie Good

Issue 8

I dreamed I was a book. It’s like deciding
to be a samurai or a dandy: you’re in
for a miserable end, but one you’ll be
able to face with honor. The missing letters
are missing so that, no matter what you
think they are, you can never be quite certain.
Have you ever wondered is Florida real?
That’s not going to change. That stays
the same. There are no real gatekeepers.
And no mission. I was influenced by everything.
We’re living in a golden age. It’s about time.


Source:
Quotes from small press editors at entropymag.org

Howie Good is the author of Dangerous Acts Starring Unstable Elements, winner of the 2015 Press Americana Prize. His latest book is A Ghost Sings, a Door Opens  from Another New Calligraphy. He co-edits White Knuckle Press with Dale Wisely.

March 1st by Carol McMahon

Issue 8

Anthony, Katherine, Jane, Tsai, Susan, David, Ruth, Henry, Carl, Graydon, Lidia, Rosemarie, Aleyah, Richard, Daisy, Todd, Barbara, Harvey, Louis, Vincente, Anita, Douglas, Esther, Thomas, Jeremy, Catherine, Harvey, Alessandro, Janice, Anderson, Bertoni, Burbank, Sagneri, Van Duser, Wirschem, Bruman, Chamberlin, Askin, Clemens, Bentley, D’Andrea, Curran, Degus, Farina, Hasto, Napolitano, Schrader, Rosenbaum, Soong, McConachie, McElwin, Sundquist, Swift-Meyers, White, Wirschem, Spear, Reisman, suddenly, after a lengthy illness, after a short illness, after a courageous battle, at home, his home, in the hospital, surrounded by, survived by, predeceased by, loving husband, devoted wife, partner, fiancée, mother, father, son, daughter, aunts, uncles, nieces, nephews, children, stepson, grandchildren, great-grandchildren, siblings, sisters, brothers, a multitude of friends, faithful companion, beloved dog, studied history & education, a lifelong communicant, enjoyed travel, flew planes, a doctor of medicine, loved bridge, graduated from, adjunct professor, skilled craftsman, jazz/rock musician, talented visual artist, avid researcher, Ph.D. in aeronautics, a member of, retired from, will be truly missed, in our hearts, an inspiration, a shining example, with gratitude, to share a memory, send a condolence, light a candle, sign the online registry, memorial service, funeral mass, friends may call, interment at, arrangements entrusted to, visitation for, burial at, private service, no service, entombment private, celebrated, Holy Cross Church, Mt. Olivet Baptist Church, Sacred Heart, St. John Lutheran Church, First Bible Baptist Church, Hope Church, White Haven Memorial Park, United Church of Christ, in lieu of flowers, memorial donations, charity of your choice, Open Door Mission, Alzheimer’s Association, Arthritis Foundation, American Cancer Society, Disabled Veterans, Wounded Warriors, Humane Society, AIDS Care, Breast Cancer Coalition, Juvenile Diabetes Research Foundation, Golisano Children’s Hospital, March of Dimes Foundation, Salvation Army, National Kidney Association, National Liver Association, St. Andrews Food Cupboard, peacefully, in peace, peacefully and quietly, passed away, and died.

 

Source: Obituary section of the March 1, 2015 edition of the Rochester, New York Democrat & Chronicle newspaper.

 

The Method: The names (both first and last) as well as the phraseology, cause of death,  and funeral arrangements etc. were all taken from one day of newspaper obituaries and randomly rearranged in the order of a single obituary.  The layout is designed to mirror the columns of a newspaper. My intent is that the effect of reading the poem will be a perception of the vastness and all-encompassing nature of life’s impermanence as well as an awareness of the ways in which our lives are but mirrors of the lives of our fellow humans.

 

Carol McMahon is the author of a chapbook, On Any Given Day (FootHills Publishing, 2006). She has been published in Prodigal, IthacaLit, Blue Collar Review, Lake Affect Magazine, and elsewhere. McMahon holds an MFA in Poetry from the Rainier Writing Workshop at Pacific Lutheran University and currently resides in Rochester, New York.

X Plus Y By Julie Gard

Issue 8

X Plus Y

One caramel latte. Yeah, exactly, you too.
Heading for 60. We arrive in Salt Lake. No one’s
gotten sick, but it causes diarrhea and vomiting
in a healthy person. Also fatal.

Maybe they’ll be there, maybe they won’t.
I was actually, you know, he’s direct.
When are we boarding? No bridesmaids.
That’s what I’m saying.

The transportation administration has limited
the size and quantity of items. She gave it
to us. Five am. May I see your seat number?
I’m really bummed ’cause last year,

we were gonna get a room together.
We haven’t gotten, I haven’t seen,
I thought they’d arrived. X plus y, x minus y,
what is x squared minus y squared?

She has asked me to do that, to say something,
to give a little monologue if you will at the dinner,
like Winifred and Bob at our wedding. Who else
spoke? With or without the banana?

It has been a week now. It’s a spare banana.
She asked me to give her away.


Source:
Dialogue overheard at Gate 14 of the Oakland International Airport.

Julie Gard’s prose poetry collection Home Studies (New Rivers Press) was a finalist for the 2016 Minnesota Book Award, and her chapbooks include Obscura: The Daguerreotype Series (Finishing Line Press) and Russia in 17 Objects (Tiger’s Eye Press). She lives in Duluth, Minnesota and teaches at the University of Wisconsin-Superior.

Okay, Cupid? By Vanessa Marie

Issue 8

Sorry but this isn’t a Hi, Hey, What’s up?
How are you? ‘Cause that’s wack just like crack.

It’s refreshing to see a Queen such as yourself,
a real woman who knows her worth. You have curls  

and curves for days, huh? Wanna grab a drink,
talk about random shit? You really think Rick’s  

swimmers were beating out weeks of Shane’s plowing?
I love reading philosophy, Eastern Philosophy

(but I’m partial to Sci-Fi as well). I still haven’t
done the Pottermore thing, always hoped I’d be  

a Ravenclaw. Soft-right-out-of-the-oven or
crunchy cookies? Is your last name Gillette?

Because you’re the best a man can get. I’m nothing
like a bad episode of Catfish, I swear.  

If you were a Skittle, you’d be a red one.
I’m going to bed. Text me tomorrow.  

 

Source: OkCupid Dating Site

Vanessa Marie received her BA in English from Lock Haven University of Pennsylvania and is currently attending graduate school at Arcadia University. Vanessa is studying to receive her MFA in poetry and MA in English.  She enjoys visiting her parents’ house in Northeastern Pennsylvania to spend time with her family and two dogs, Mollie and Sasha.

better known as Miss Wilmott’s ghost By Sonya C. Brown

Issue 8

I spent mornings barrowing down manure;
        I was down on the plot late into the evening,
                    struggling to force sticks into sun-baked ground,                    

using aluminium foil to scare away birds,
        a cocktail of chemical traps and potions—
                    proof of vitriol for anything that disrupts lawns,                    

lining up plants like soldiers,
        daft horrors underplanted with ivy.
                    A buzzard dropped a dead rabbit nearby.                    

There was a sense of time unraveling,
        the scent of somnolent roses,
                    the potency of a bluebell wood in bloom,                    

yew hedges immaculately sculpted into scallops,
        drifts of Scabeous, a shimmering matrix of Deschampsia,
                    self-sown pepper trees marring the view.

You must be willing to be ruthless,
        cut back hard the gaudy displays.
                    Killing off a rose isn’t so easy.

Occasionally you wonder.
        Not to do so were unkind and immoral,
                    while the wood beneath you weakens                    

and the knot garden succumbs to blight.
        The edge of the map looms,
                    alive as the sun sets and moon rises:                    

glimpses of the Matilija canyon,
        the Queen’s racing colours,
                    purple, gold, black and scarlet.                    

With precious little help,
        with relentless tenacity
                    and occasional waves of vertigo,                    

I stretched a thin wire
        across the spot that rooted me,
                    across things that will outstay my abandonment.                    

Absurdities in the pursuit of paradise,
        I half-hacked them and laid them over,
                    cut the heart in two and dipped it in oil,

wiped the inking off the plate.                    

                                           

Source:  Gardens Illustrated, 2013-2016

Method: I once completed an exercise using several required words in a poem. For similarly inspiring words, I skimmed issues of Gardens Illustrated, copying words and phrases up to seven words in length. I found myself using these snippets differently than intended, arranging and rearranging them until in my mind they became a single voice. This character and I added punctuation, capital letters, and the occasional transition. I am profoundly grateful to the authors whose phrases were borrowed. “Miss Wilmott’s Ghost” is the cultivar name for an Eryngium that flowers white rather than the typical blue. I know nothing about the real, eponymous Miss Wilmott.

Sonya C. Brown, Assistant Editor of Glint online literary journal, lives in Maryland with her family, two elderly dogs, two middle-aged cats, four young chickens, and countless alter egos.

repurpose By Catherine Niu

Issue 8

I don’t know if you want

to be confronted with the
small black screws that fell

out of you in the library,

to bail out bliss and crunch it or

to tell the truth to soothe the throat, to hope—

who does?

Before enlightenment,

hope makes you feel
naked as a horse.

The pyramid crumbles in a sequined dusk.

How do you mend

a piece of crystal broken off
from the original idea of light,

a baby gorilla thumping his only friend,
an orange bucket,

a broken et cetera,

the wooden bird flutes in the brain?

We were all chasing nothing, poor pups,

no choice left but to intensify the chase.

To bite the repetition that could be an ending.

Glut the self on sorrow until it splits, like a pomegranate.

The idea was to live forever, to have a name.

There are many kingdoms left.

After enlightenment, belief in magic.

 

Source: Various poems from a poetry reading by Dean Young.

Catherine Niu is currently a senior at Princeton University. She loves the poignancy and play that language inspires and hopes to continue honing her craft. In her free time, she likes to search for beautiful things.