Beyond the hills that were once mountains, past the empty town that was once a falling star, an old man wakes from the dead. He recalls the farm where he planted beans and raised the water. The nights of the shrill cry of stray cats, their memories of swooping vultures. He recalls the lifeless eyes of his then newly-widowed mother. When she refused to talk, to talk about anything, he went to the well, peered down its dark mirror and mistook the darkness for himself. One day he brought a cast iron bucket of water into the house. To wipe his mother’s face of a boy’s sense of death or what little he could make of it. To make her come alive and speak and feel. Stretched out on the daybed, she remained soundless, frozen in time. Her hands were blue. His premonition: nobody was coming back with their old skin. The boy stared down at her, his mouth closed, determined to kiss her cheek, to make his presence known. It was worth a try.
Source: John Riley, The Well (http://fictionaut.com/stories/john-riley/the-well–2) Three Short Poems
Method: My method of remixing these poems is first, I read them again and again. Then I copy them, deleting this or adding that. I keep shaping and reshuffling, sculpting, until the something there is something my own.
Kyle Hemmings is a retired health care worker, His latest collections of poetry/prose are Scream from Scars publications and Split Brain on Amazon Kindle. He loves ’50’s Sci-Fi movies, manga comics, and pre-punk garage bands of the ’60’s.