Category Archives: Issue 22

Karen Greenbaum-Maya

The Ballad of the Clairvoyant Widow

–a cento of lines of Christine Gosnay, Michelle Brittan Rosado, Russell Salomon, and, Theodore Roethke

Slow, slow as a fish she came,
A green angel swaying branches.
The wide streams go their way.
She went in slowly, and found him.
She watched the river wind itself away.

Everything undoes itself.
He woke with mountains in his knees.
She saw her father shrinking in his skin.
She thought a bird and it began to fly.
The light cried out, and she was there to hear.

The wings have fallen off. The arms too.
It was as if she tried to walk in hay.
Once she knew how to run.
She came to the western river,
breathed as if moving a hand toward a candle.


Source & Method

My bookshelves include collections of Christine Gosnay, Michelle Brittan Rosado, Theodore Roethke, and, Russell Salomon. I pulled quickly, trying not to think too much. The title is also found, from Roethke.

Karen Greenbaum-Maya believes that if you want to hit someone with a fish, you should just hit them with a fish, unless you don’t have a fish.

Photo by Alexander Schimmeck

I s s u e   2 2

D i s i n t e g r a t i o n

Karen Greenbaum-Maya

The Ballad of the Clairvoyant Widow

Nance Van Winckel

Three Collages

Isabella Barricklow

April 20th, 2020 in email subject lines

Cai Draper


Dana Guth

Three collages with text from William Carlos Williams’ “Paterson”

Jessica Moore

my time with a woman

Patrick Pfister


David R. Bublitz

Three collages

Dale Patterson

Three collages/erasures with text from Steppenwolf

Gail Goepfert

Cento: We were here—we saw sorrow

Dawn Corrigan

Craig Arnold as Eustace Clarence Scrubb as Dragon

Mark Mahemoff

Ted Bundy explains

Oormila Vijayakrishnan Prahlad


Diana Newton


Josh Olsen

The Boy is Mine (An Erasure)

Crash Davis

The Gray Man